
After Ashley (Adria Arjona) asks for a divorce, good-natured Carey (Kyle Marvin) runs to his friends, Julie (Dakota Johnson) and Paul (Michael Angelo Covino), for support. He’s shocked to discover that the secret to their happiness is an open marriage, that is until Carey crosses the line and throws all of their relationships into chaos. Taking influence from French and Italian romance flicks of the 60s and 70s, the score pays homage to the greats of that era – Armando Trovajoli, Piero Piccioni, Françios de Roubaix, Bernard Estardy – with a contemporary, modern tastefulness.
David Wingo got his start composing music for films on David Gordon Green's 2000 award-winning debut feature GEORGE WASHINGTON and since that time has maintained a consistent working relationship with Green, scoring the majority of his films. In 2010 he scored Jeff Nichols' Cannes Grand Prix winner TAKE SHELTER, for which he received a World Soundtrack Award Discovery Of The Year nomination, and has since scored all of Nichols' films, including 2024's BIKERIDERS. Wingo has transitioned into television over the last several years, providing the score for FX’s MAYANS MC, Showtime's KIDDING and HBO's Emmy® Award-winning Barry, for which he received an Emmy Nomination in 2019 for Outstanding Music Composition for a Series.
Dabney Morris' work includes the dreamy, exotica-inspired score for Sundance 2023’s opening film, SOMETIMES I THINK ABOUT DYING, starring Daisy Ridley; 2024 Deauville Film Festival Critics’ Prize winner, COLOR BOOK; the Oscar short-listed documentary PROCESSION; Rachel Lambert’s I CAN FEEL YOU WALKING; and the jukebox musical arrangements of Alex Ross Perry's PAVEMENTS.
He has provided string arrangements for artists like Louis Prince, The Brook and the Bluff, Skyway Man, and Molly Pardon.
As a concert composer, his works have been performed by the Alias Chamber Ensemble, KROMA Quartet, and Lockeland Strings.





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